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Artist: American Bombshell

(click on Artist's name above to return to artist's main page)

American Bombshell Homepage

CD Title: Tattooed n Bruised

American Bombshell Tattooed n Bruised Album Cover

 

Category: Hard Rock

Year: 2019

Label: EMP Label Group

Catalog Number:

Personnel

Jay Cee vocals
Andy Nixon guitar
Steve Boyles guitar
Dustin Green bass
Jason Carr drums

Richard Fortus guitar (1)
David Roach backing vocals (1, 4)
Eric Klee Johnson bass (6)
Marc Johnson guitar, instrumentation (6)

Tracks

1.  Money On The Liquor  
2.  Faster  
3.  Run Away  
4.  Only Rock N Roll  
5.  Raising Hell & Living Sin  
6.  Joyride  
7.  Stupid = Famous  
8.  Degenerate Love Song  
9.  The Bitter End  
10.  Pretty Fucked Up  
11.  My Drug  
12.  Saving Me  

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EPs and CD-singles from American Bombshell are also welcome to be added, as long as they are at least 4 songs in length.




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Existing comments about this CD

From: MelodicMetal4Ever Date: July 24, 2020 at 20:35
ok guys..i'm FLOORED!! NOONE has rated or commented on this awesome release. These guys really know how to rock. They remind me of a cross between poison and Jackyl. You HAVE to try this band! Songs to check out: Faster, Joyride (GREAT BALLAD), Money On The Liquor, raising hell & living sin and Stupid=Famous

From: Doghouse Reilly Date: January 13, 2021 at 3:42
This is a pretty enjoyable disc. They remind me a bit of Bombay Black (MIA - where the hell are they?). I hear the same type of self-aware, winking take on sleaze rock in songs like "Stupid = Famous." I do hear a bit of Jackyl here, but American Bombshell don't come off as particularly southern, which has become an increasingly dominant part of Jackyl's sound now that Jesse fancies himself as hard rock's Jeff Foxworthy (complete with outdated punchlines). Also, they do the same bastard/bitchscratch my itch lyircs from "Just like A Devil" here in "Degenerate Love Song." "Pretty Fucked Up" is a cover of the too-cool Gen-X kid's favorite rock 'n' roll band, the Supersuckers. Vocals are melodic, but not cloying like the Swedish AOR crowd can so often be. Production is great, but in today's world, there's no excuse to have badd sound except on purpose. I liked this enough where I think I need to track down theier debut.


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