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Category: Glam / Punk
Label: Deadline (Cleopatra)
Catalog Number: CLP0501-2
|1.||Inner Planet Love|
|3.||Partners In Crime|
|5.||Amphetamine Blue (7 Mix)|
|6.||He's A Rebel|
|7.||Black & White World|
|8.||Rain Rain Rain|
|12.||Kiss It Goodbye|
|15.||Vipers In The Dark|
If you see any errors or omissions in the CD information shown above, either in the musician credits or song listings (cover song credits, live tracks, etc.), please post them in the corrections section of the Heavy Harmonies forum/message board.
The music discographies on this site are works in progress. If you notice that a particular Fallen Angels CD release or compilation is missing from the list above, please submit that CD using the CD submission page. The ultimate goal is to make the discographies here at Heavy Harmonies as complete as possible. Even if it is an obscure greatest-hits or live compilation CD, we want to add it to the site. Please only submit official CD releases; no bootlegs or cassette-only or LP-only releases.
EPs and CD-singles from Fallen Angels are also welcome to be added, as long as they are at least 4 songs in length.
|From: Cotton C. Lover||Date: November 21, 2004 at 16:47|
|Good stuff. Sounds a bit like Hanoi Rocks (duh!). With this one, be sure to stick to the debut cd. I guess they released two others that are nowhere near as good. Excellent side project by the less visible members of HR and The Vibrators.|
|From: Aero Force Mike||Date: December 6, 2004 at 22:38|
|Nothing mind-blowing, typical Hanoi side-project that falls into their regular category of New York Dolls-fueled sleaze rock. So if you liked Cheap & Nasty, which I can't imagine why any Hanoi fan wouldn't, you'll enjoy this too. 7.5/10|
|From: Aero Force Mike||Date: July 3, 2005 at 19:51|
|Just a few further notes since I've been going back to this album a lot recently. Amphetamine Blue is a cover from Knox's other band, The Vibrators, both versions are decent, this one gaining from Hanoi's poppier style... whilst the album as a whole has an occasional dip into new-wave territory such as Houston Tower, but it works well for the album. A very dated sound within, though definately on the punkier end of the sleaze scale but perfectly at home with the mid 80's British trash scene.|
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