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THE Hard Rock and AOR Reference on the Internet!
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Nov. 13, 2024:
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The 25,000th CD has been added here at HH, and the album with that
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![[Diemonds Band Picture]](/bandpics/DIEMONDS_BAND.JPG)
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Diemonds Homepage
CD Title: The Bad Pack
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Category: Hard Rock
Year: 2012
Label: Underground Operations
Catalog Number: UOPJ 40
Personnel
Priya Panda Vocals
C.C. Diemond Guitar
Daniel Dekay Guitar
Tommy Carvalho Bass
Aiden Tranquada Drums
Tracks
| 1. | Take On The Night | 3:30 |
| 2. | Lil' Miss | 3:25 |
| 3. | Loud N' Nasty | 3:35 |
| 4. | Get The Fuck Outta Here | 3:51 |
| 5. | The Bad Pack | 3:37 |
| 6. | Overboard | 3:16 |
| 7. | Left For Dead | 3:11 |
| 8. | Livin' Tonight | 2:17 |
| 9. | Trick Or Treat | 3:00 |
| 10. | Mystery | 5:28 |
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| Total Running Time: | 35:10 |
If you see any errors or omissions in the CD information shown above,
either in the musician credits or song listings (cover song credits,
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notice that a particular Diemonds CD release or compilation is missing
from the list above, please submit that CD using the CD submission page.
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compilation CD, we want to add it to the site. Please only submit official
CD releases; no bootlegs or cassette-only or LP-only releases.
EPs and CD-singles from Diemonds are also welcome to be added, as
long as they are at least 4 songs in length.
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Existing comments about this CD
| From: Reverend Mayhem |
Date: April 28, 2013 at 8:04 |
| Terrific old school, bad boy riff-rock from Canada with smoking hawt female lead singer, stylistically similar to classic early Riot (think "Fire Down Under"). Songs range from mid- to up-tempo, driven by plenty of in-your-face power-riffing and enough cursing to solidify the boozin'-and-brawlin' rawk credentials. Pin-up frontbabe Priya Panda isn't a great singer (she doesn't have the vocal abilities of, say, Sandy Saraya or Lzzy Hale) but does a respectable enough job with her flat vocal delivery which has the snotty attitude you'd find on maybe a Donnas album or maybe even old Runaways, which somehow works. (Besides, we all know why she really got the gig.) The other musicians all fill their roles adequately, providing a solid foundation to the overall Harley-riding, spit-and-moonshine aesthetic. Apparently Harry Hess had something to do with mastering the recordings, but you wouldn't know it from the content. Great stuff for jamming down the freeway in a '70s muscle car. 85 / 100
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