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Dodge City Limits
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If you see any errors or omissions in the CD information shown above,
either in the musician credits or song listings (cover song credits,
live tracks, etc.), please post them in the corrections section of the
Heavy Harmonies forum/message board.
The music discographies on this site are works in progress. If you
notice that a particular X-Piracy CD release or compilation is missing
from the list above, please submit that CD using the CD submission page.
The ultimate goal is to make the discographies here at Heavy Harmonies
as complete as possible. Even if it is an obscure greatest-hits or live
compilation CD, we want to add it to the site. Please only submit official
CD releases; no bootlegs or cassette-only or LP-only releases.
EPs and CD-singles from X-Piracy are also welcome to be added, as
long as they are at least 4 songs in length.
Existing comments about this CD
|From: juan carlos
||Date: April 6, 2010 at 15:39|
|feel like i was wasting my time listening this album average HR at first listen. 7/10
||Date: April 9, 2010 at 17:58|
|Not bad, but not great either...expected more i guess. Mostly for collectors of the obscure.
||Date: May 5, 2010 at 0:38|
|Bad, bad news. The first 3 tracks were kind of rocky kind of tracks and are okay, but other than that it's messy, ugly stuff. Kind of blues around the campfire and careless stuff. Almost like they were fooling around and someone left a mic on them. I really have nothing positive to say about this CD to be honest. Image does not equal the music.
|From: Doghouse Reilly
||Date: May 11, 2013 at 13:58|
|Another one of those long-lost "coulda, woulda, shoulda" bands swarming L.A. circa 1990, all insisting they were the real deal and deserved way more success. X-Piracy, like most of the rest, didn't. Just because you're the hottest thing going in Eugene, Oregon, doesn't mean you've got what it takes. Musically, they fit squarely in the Asphalt Ballet category of workmanlike hair-metal disguised as blues-rock. Some songs are okay, notably the opener "Dodge City," but most of the rest is extremely mediocre or just downright awful. They just try waaaay too hard to be gritty southern-rockers, and it sounds put-on and phony (see "A Gal And A Six-Foot Rope"). The singer's pretend drawl is even more fake than Bret Michaels's.
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