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[Crank County Daredevils Band Picture]

Artist: Crank County Daredevils

Title: Kings Of Sleaze

Crank County Daredevils Homepage

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Crank County Daredevils Kings Of Sleaze Album Cover

 

Category: Glam/Sleaze

Year: 2004

Label: F.A.L.K.

Catalog Number: none

Personnel

Adam Stevens Guitar
Mark Hammer Drums
Scotty P Vocals
Billy Velvet Bass

Tracks

1.  Kings Of Sleaze  4:03
2.  Kick It On Down  3:03
3.  Ride The Dog  3:49
4.  Hammerdown  3:53
5.  Line 'Em Up  4:06
6.  Shut Your Lip  3:53
7.  Bitch Be Cool  3:27
8.  High  3:01
9.  Back In The Nasty  5:17
  
Total Running Time:  34:32

If you see any errors or omissions in the CD information shown above, either in the musician credits or song listings (cover song credits, live tracks, etc.), please post them in the corrections section of the Heavy Harmonies forum/message board.

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EPs and CD-singles from Crank County Daredevils are also welcome to be added, as long as they are at least 4 songs in length.




Existing comments about this CD

From: metalmaniac777 Date: August 24, 2007 at 13:39
Loud, cranking, hard-hitting sleaze-metal that brings the raunch and the rock in equal measure. This is the kind of ass-kickin' music that needs to be played at maximum volume until they can hear it at three counties away. The rough, raspy vocals aren't for everyone, but they mesh well with the pedal-to-the-metal rock-and-roll being dished out here. No, it's not a masterpiece, nothing to sell your soul to the devil in order to obtain, but it's still a solid entry into the sleaze-metal subgenre.

From: 20gunsalute Date: September 13, 2009 at 23:03
This rocks like a bad ass mofo baby! Starts off kickin' and really doesn't let up much until it's over, leaving you wanting more. Dirty garage rock served up in your face, this is a great one to play and stomp all over the wimpy, syrupy glam. I wish every garage sleaze band brought this much to the plate. 100% attitude and balls, it don't get much better

From: Doghouse Reilly Date: April 17, 2012 at 14:41
The big problem with this release, and the follow-up is that the band sounds like they can barely play their instruments. The riffs are skeletal, the solos are almost white noise, and they like to use feedback as another instrument. All that tends to hamper the tunes, which are aggressive and catchy, but so overly simplistic that many of them seem to drag on forever, even though only one goes much beyond four minutes. Got to say, only the band's self-titled third album is worth having.


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