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September 12, 2020: Annual Heavy Harmonies Donation Drive!
The world has stabilized somewhat, so it's time for the annual Heavy Harmonies donation drive that originally iwas supposed to be held back in March. The annual drive is what pays most of site's bills and keeps it free for everyone.
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(click on Artist's name above to return to artist's main page)
Category: Glam Rock
Label: Cherry Red Records
Catalog Number: CDMRED 237
|2.||You Drive Me Wild|
|3.||Is It Day or Night?|
|5.||Rock and Roll|
|10.||Dead End Justice|
If you see any errors or omissions in the CD information shown above, either in the musician credits or song listings (cover song credits, live tracks, etc.), please post them in the corrections section of the Heavy Harmonies forum/message board.
The music discographies on this site are works in progress. If you notice that a particular The Runaways CD release or compilation is missing from the list above, please submit that CD using the CD submission page. The ultimate goal is to make the discographies here at Heavy Harmonies as complete as possible. Even if it is an obscure greatest-hits or live compilation CD, we want to add it to the site. Please only submit official CD releases; no bootlegs or cassette-only or LP-only releases.
EPs and CD-singles from The Runaways are also welcome to be added, as long as they are at least 4 songs in length.
|From: Japangea||Date: November 1, 2009 at 2:53|
|I remember that they were in trouble when they hit Japan first time.Cherie became very famous with her underwear,then other members were jelous and started saying we would do the same on stage.|
|From: Reverend Mayhem||Date: June 9, 2013 at 12:54|
|Creem Magazine, April 1977: "These bitches suck." Some of us are (barely) old enough to remember that epic dismissal, and it's not any less potent today. Stoner Band revisionism would have us believe the Runaways were actually "ahead of their time" and other rationalizing horseshit that fans use to justify their devotion to this sloppy, sludgy affair. I was never impressed. But if I were forced (say, at gunpoint) to choose a favorite Runaways release, I'd pick this for its consistency. They amply straddle the line between Punk and Garage Rock with a touch of Suzi Quatro Glam boogie (although Suzi really could play), with a sonic quality similar to Starz' debut (but nowhere near the greatness of that band). The standout is probably "Rock N Roll" (more cowbell!), but there's also some pretty terrible shit here too ("Lovers," "Blackmail"). Just don't think you're going to be in for anything resembling accomplished musicianship and you'll probably feel better about the experience. 50 / 100|
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