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Nikki Cruze

Nikki Cruze

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Category: Melodic Rock/ AOR

Year: 1995

Label: Indie

Catalog Number: ?

Average Rating: 77 / 100 (2 ratings)


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Nikki Cruze Nikki Cruze Album Cover
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Robin Lei Tietz lead, background vocals, drums, guitar
Craig Passant guitars, bass, keyboards, backing vocals
1.  Comin' Home  
2.  Joe's Song  
3.  So Many Nights  
4.  Open Up The Skies  
5.  You Were With Me  
6.  Stop The Blast  
7.  You Are The Light  
8.  Say Goodnight  
9.  Again  
10.  We Rock  

If you see any errors or omissions in the CD information shown above, either in the musician credits or song listings (cover song credits, live tracks, etc.), please post them in the corrections section of the Heavy Harmonies forum/message board.

The music discographies on this site are works in progress. If you notice that a particular Nikki Cruze CD release or compilation is missing from the list above, please submit that CD using the CD submission page. The ultimate goal is to make the discographies here at Heavy Harmonies as complete as possible. Even if it is an obscure greatest-hits or live compilation CD, we want to add it to the site. Please only submit official CD releases; no bootlegs or cassette-only or LP-only releases.

EPs and CD-singles from Nikki Cruze are also welcome to be added, as long as they are at least 4 songs in length.

Existing comments about this CD

From: koogles Date: November 5, 2005 at 9:37
Nikki Cruze use 80s Triumph as their point of reference here, and come up with a rare yet satisfying indie. Singer Robin Lei Tietz has a serious Rik Emmett thing going on, and I hear Frontline, Marchello, Hugo and Flyweil as well in his voice. Standout track is definitely the soaring "Open Up the Skies". Pure Triumph or solo Hugo here... and as good as anything Frontline ever recorded. Production is pretty standard for a small label release. All in all, one of the better Canadian indies.

From: Remastered Reason Date: March 22, 2006 at 22:44
Yeah, every once in a while you'd swear it was Rik Emmett. A few of the acoustic numbers, if shorter, are not too far removed from what Emmett would incorporate as tidy musical interludes between the main tracks. However, musically, it's wishful thinking to hear Triumph here.

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